Performed in Opera Flanders, BOZAR, Concertgebouw Brugge, Minardschouwburg in Ghent, Théâtre Royal des Galeries in Brussels, Piccolo Regio Puccini, Magnitogorsk Opera Ballet and Theatre and Teatro Splendor in Aosta.
Italian soprano Elisa Soster (1997, Aosta), studied flute and singing at the Conservatoire de la Vallée d’Aoste. She took part in masterclasses of Anna Pirozzi, Barbara Frittoli, Mariella Devia, Dietrich Henschel, Christophe Rousset, Jessica Pratt, Deborah Polaski, Wim Henderickx and others.
She interpreted the roles of Gilda in Rigoletto (Verdi), Mélisande in Petit Pelléas (adaptation for children of Pelléas et Mélisande by Debussy), Edelknabe in Lohengrin (Wagner) Serpina in La Serva Padrona (Pergolesi) and Sandrina in La Finta Giardiniera (Mozart).
She sang the solistic parts in A Matter of Triumph and Void by Henderickx, Sarah was ninety years old by Pärt, Carmina Burana by Orff, Jagdkantate by J.S. Bach, Stabat Mater by Boccherini, Stabat Mater by Pergolesi.
She has worked with conductors such as Alejo Pérez (Symphonic Orchestra of Opera Vlaanderen), Korneel Bernolet (Apotheosis Orchestra and Symfonieorkest Vlaanderen), Jeroen Felix (Holland Baroque, Nederlandse Bach Vereniging‘), Filip Rathé (Spectra Ensemble), Stijn Saveniers (HERMESensemble), Daniele Ruzza (Ensemble delle Fondazione Arturo Toscanini), Stéphanie Praduroux (Orchestre du conservatoire de la Vallée d’Aoste) and directors like David Alden, Guy Joosten, Meryl Tankard, Lucija Brnic, Wolfgang Gruber, Benoît de Leersnyder and Gemma Beltrán.
She won the third prize in the Italian National Award Premio Abbado.
Follow her career here.
Visit her personal website here.
Read her testimonial about the IOA here.