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Born in Manchester, England, Darren Ross studied at the Laban Centre for Movement and Dance in London. In 1988 he moved to France to dance in many creations with the ‘Compagnie de Brigitte Farges’. From 1992 he dances with the ‘Compagnie Larsen’, directed by Stéphanie Aubin, on different contemporary dance pieces and opera (Armide by Luly, Orphée et Eurydice by Glück). In 1998 he choreographed his first opera La Traviata (Nancy, Rennes, Montpellier). This started a long collaboration as movement director and choreographer with director Jean-Claude Berutti. Together they worked on La Bague Magique by Giovanna Marini (Opéra de Nancy, Théâtre du Peuple Bussang), Faust (Lyon), Rusalka (Lyon, Tel Aviv, Bilbao), La Bohème, Wiener Blut and Othello (Nancy), Le Roi Candaule (Nancy and Liège) and Tannhaüser (Bordeaux).
He also collaborated with Jean-Claude Berutti for theatre: L’île des Esclaves — Marivaux (Brussels); Le Mariage de Figaro — Beaumarchais (Liège); Beaucoup de bruit pour rien — Shakespeare, La Cantatrice Chauve — Ionesco, L’Envolée -Granouillet, Family Art — Sales (Saint-Etienne); A tu et à toi, a ‘tour de chant’ with Yvette Théraulaz (Saint-Etienne, Genève, Lausanne)…
Together with director Caroline Petrick he worked on Weisse Rose — Zimmermann (La Monnaie Brussels) and The Golden Vanity, opera for children, by Benjamin Britten (La Monnaie Brussels, Royal Opera Stockholm).
With theatre company NUNC and Benjamin Van Torhout, he worked on Raisonnez (Ghent, Antwerp) and Het geslacht Borgia (Ghent, Antwerp, Leuven, Bruges). Together with Axel De Booseré and the Compagnie Arsenic, he worked on Le Dragon and Le Géant de Kaillass (Liège, Brussels, Paris). In January 2006, he directed Mozart onvoltooid/Mozart inachevé, a co-production of Pantalone, La Monnaie (Brussels) and Dschungel (Vienna).
Darren Ross also teaches movement and dance to singers (at the Chapelle Musicale de la Reine Elisabeth of Brussels, since 2004; Musikhochschule Frankfurt; Conservatoire National Supérieur de Musique et danse de Paris) and actors (amongst others, students of the Ecole d’Art Dramatique du CDN of Saint-Etienne).
With director Marguerite Borie he worked on Salome by Richard Strauss (Monte-Carlo, Liège, Vienna) and Reigen by Philippe Boesmans (Paris, CNSMDP). He also signed the choreography for Requiem for the Gods, a creation by Joachim Brackx with Nabla Muziektheater, co-produced by Concertgebouw Bruges. With Ivan Fisher, he collaborated on Le Nozze di Figaro — Mozart (Budapest, New York and Berlin).